2.28.2011

A few thoughts on last night's ceremony.


1) James Franco's hosting job may have been bizarre, but it was entertaining. His facial expressions while Sandra paid tribute to his 127 Hours performance were priceless: a very funny mix of uncomfortable smiling, false arrogance, and plain-old embarrassment. His "congratulations....nerds" after the sci-tech awards was pretty awesome as well. In fact, my biggest laugh of the night was during the opening tribute to Back to the Future, when Franco implored Michael J. Fox to get out of the way of the incoming Delorean. It probably helped that it was a taped segment. PS: If Franco really doesn't smoke pot (as he claims) then he took waaaay too many xanex.

2) Melissa Leo probably didn't convert any snarky critics with her acceptance speech for The Fighter. I'm happy for her though; she seems like she really wanted it, and women of a certain age are routinely ignored.

3) Trent Reznor and Atticus Ross' score for The Social Network may be my all-time favorite Oscar-winner in this category. I listened to it on the car ride home after the ceremony, and it's still almost impossible to believe that the Academy recognized such a bold, non-traditional choice.

4) Believe it or not, Alice in Wonderland is the first Tim Burton film to win for Best Costumes. It's also only the third fantasy or sci-fi film to ever win; the other two being the original Star Wars in 1977, and The Lord of the Rings: The Return of the King in 2003.* I didn't much care for the ugly, over-worked production design of Alice, but the costumes were definitely memorable without giving me a migraine.

Nate

* You could perhaps count 1992's winner, Bram Stoker's Dracula, but I don't.

2.26.2011

Oscar Predictions...Again


Best Picture:
The King's Speech
(alt. The Social Network)

Best Director: Tom Hooper - The King's Speech
(alt. David Fincher - The Social Network)

Best Actress: Natalie Portman - Black Swan
(alt. Annette Benning - The Kids Are All Right)

Best Actor: Colin Firth - The King's Speech
(alt. Javier Bardem - Biutiful)

Best Supporting Actor: Christian Bale - The Fighter
(alt. Geoffrey Rush - The King's Speech)

Best Supporting Actress: Hailee Steinfeld - True Grit
(alt. Melissa Leo - The Fighter)

Best Original Screenplay: David Seidler - The King's Speech
(alt. Christopher Nolan - Inception)

Best Adapted Screenplay: Aaron Sorkin - The Social Network
(alt. Joel & Ethan Coen - True Grit)


Best Animated Feature: Toy Story 3
(alt. How to Train Your Dragon)

Best Foreign Language Film: In a Better World - Denmark
(alt. Biutiful - Mexico)

Best Documentary Feature: Exit Through the Gift Shop
(alt. Inside Job)

Best Cinematography: True Grit
(alt. Inception)

Best Art Direction: The King's Speech
(alt. Alice in Wonderland)

Best Costume Design: The King's Speech
(alt. Alice in Wonderland)

Best Film Editing: The Social Network
(alt. The King's Speech)

Best Original Score: The King's Speech
(alt. The Social Network)

Best Original Song: 127 Hours - "If I Rise"
(alt. Toy Story 3 - "We Belong Together")


Best Sound Mixing: Inception
(alt. True Grit)

Best Sound Editing: Inception
(alt. True Grit)

Best Visual Effects: Inception
(alt. Alice in Wonderland)

Best Make-Up: Barney's Version
(alt. The Wolfman)

Best Live-Action Short: Na Wewe
(alt. God of Love)

Best Documentary Short: Strangers No More
(alt. The Warriors of Qiugang)

Best Animated Short: Madagascar, a Journey Diary
(alt. Night & Day)

Nate

why yes


Well, it's been almost a year since my last post, but I'm still alive.

Expect posts! I swear I'm gonna get back into the groove...hopefully.

I know, I know...empty promises.

Nate

3.07.2010

First 3D Best Picture Ever?


Oscar Predictions!

Best Picture

Avatar

Best Director
Kathryn Bigelow - The Hurt Locker

Best Actor
Jeff Bridges - Crazy Heart

Best Actress
Sandra Bullock - The Blind Side

Best Supporting Actor
Christoph Waltz - Inglourious Basterds

Best Supporting Actress
Mo’Nique - Precious

Best Original Screenplay
The Hurt Locker

Best Adapted Screenplay
Up in the Air

Best Foreign-Language Film
Un Prophete (France)

Best Animated Film
Up

Best Documentary
The Cove

Best Cinematography
Avatar

Best Editing
The Hurt Locker

Best Art Direction
Avatar

Best Costume Design
The Young Victoria

Best Score
Up

Best Original Song
"The Weary Kind" from Crazy Heart

Best Sound Mixing
Avatar

Best Sound Editing
Avatar

Best Visual Effects
Avatar

Best Make-Up
The Young Victoria

Best Live-Action Short
The Door

Best Documentary Short Form
China's Unnatural Disaster: Sichuan Province

Best Animated Short

The Lady and the Reaper

2.25.2010

2.20.2010

I'm gonna need a dictionary to fully get this album, probably


I sometimes feel guilty about illegally downloading music by artists I really love. I know that I could be, and should be, a better fan. But goddamnit, I just had to hear Joanna Newsom's upcoming Have One On Me as soon as possible.

I've listened to the entire thing (3 discs, 2 hours) a couple times now, but I still need to absorb it a little more before I have any complete thoughts.

The stand-outs so far have been the title track, "No Provenance", and "Go Long". Fans of Ms. Newsom are gonna be happy, that's all I know.

Nate "Bolt like a horse" Tyson

PS: The above picture sparked a ridiculous thread about her butt. Don't read it unless you want to find out how weird her male fans can be.

2.17.2010

Weirdest damn funeral I've ever been to

"The Substitute" delivered a healthy dose of mythology and great character moments. For instance, when Locke took a swan dive off his van onto his lawn. That was just perfect.

Nate

2.16.2010

Yeah, thanks to the blizzard of aught ten, freakishly large icicles destroyed the gutter on the front of my house.

Screw you, el nino.

Nate

1.28.2010

you were knocking me down with the palm of your eye


My friend Rivka got me a ticket for the upcoming Joanna Newsom show in DC.

Clearly, I am pumped.

Nate

1.26.2010


Oh art museums.

Nate

1.20.2010

Master of the Macabre


My family and I recently attended the Tim Burton exhibit at NY's Museum of Modern Art, and it was pretty durned impressive.

Seeing the breadth of his vision (which included sketches, models, obscure short films, props, illustrations and installations, among other things) really gave me a newfound respect for his obssessive, distinct style.

Then I began to wonder: Has any single American director in recent decades been as influential as Burton, regarding visual culture outside the world of film? His films themselves are influential, but his art and style are more pervasive than his specific projects.

Would Hot Topic have anything to sell without Burton? What would all the happy goth kids have done? [Probably just watched anime, but you get the point.]

Whether or not he is a great filmmaker (I think he's a damned good one at least) he is definitely one of the single most influential creative minds of our time, in my estimation.

Nate

PS:

Top Five Burton Movies

01. Pee Wee's Big Adventure
02. Batman Returns
03. Beetle Juice
04. Edward Scissorhands
05. Sweeney Todd

What are yours?

1.18.2010

a thought on today


My grandfather actually knew MLK. They worked together on a project about Ghandi when they were both in graduate school (I think, or college?). Both were men of the cloth, and both believed in a truly progressive notion:

People, all people, are worth the effort of kindness and goodness.

I'm gonna take some time to remember both of these guys today. They were amazing.

Nate

1.08.2010

My Top 50 Movies of the 00s

050. Once (John Carney)
049. Dave Chapelle’s Block Party (Michel Gondry)
048. Waking Life (Richard Linklater)
047. Inside Man (Spike Lee)
046. The Class (Laurent Cantet)
045. The Fountain (Darren Aronofsky)
044. Grizzly Man (Werner Herzog)
043. Birth (Jonathan Glazer)
042. Primer (Shane Carruth)
041. Where the Wild Things Are (Spike Jonze)

040. Baran (Majid Majidi)
039. Elephant (Gus Van Sant)
038. Junebug (Phil Morrisson)
037. Y Tu Mama Tambien (Alfonso Cuaron)
036. Ratatouille (Brad Bird)
035. Lost in Translation (Sofia Coppolla)
034. The Hurt Locker (Kathryn Bigelow)
033. Paranoid Park (Gus Van Sant)
032. In the Mood for Love (Kar Wai Wong)
031. Inglourious Basterds (Quentin Tarantino)

030. Spider-Man 2 (Sam Raimi)
029. Requiem for a Dream (Darren Aronofsky)
028. Coraline (Henry Selick)
027. Moulin Rouge! (Baz Luhrmann)
026. WALL-E (Andrew Stanton)
025. The Lord of the Rings (Peter Jackson)
024. The New World (Terrence Malick)
023. O Brother, Where Art Thou? (Joel Coen)
022. Peter Pan (P.J. Hogan)
021. The 40-Year Old Virgin (Judd Apatow)

020. There Will Be Blood (Paul Thomas Anderson)
019. 25th Hour (Spike Lee)
018. What Time Is It There? (Ming-liang Tsai)
017. Bad Lieutenant: Port of Call - New Orleans (Werner Herzog)
016. Dancer in the Dark (Lars Von Trier)
015. Children of Men (Alfonso Cuaron)
014. Let the Right One In (Thomas Alfredson)
013. Monsoon Wedding (Mira Nair)
012. Hedwig and the Angry Inch (John Cameron Mitchell)
011. No Country for Old Men (Joel & Ethan Coen)


010. Dogville (Lars Von Trier)

009. The Gleaners and I (Agnes Varde)

008. Talk to Her (Pedro Almodovar)

007. Spring, Summer, Fall, Winter…and Spring (Ki-duk Kim)

006. Elegy (Isabel Coixet)

005. The Royal Tenenbaums (Wes Anderson)

004. Wet Hot American Summer (David Wain)

003. Mulholland Dr. (David Lynch)

002. Eternal Sunshine of the Spotless Mind (Michel Gondry)

001. Crouching Tiger, Hidden Dragon (Ang Lee)

1.04.2010

It's takes me a while to become George



My friend Rory and I saw A Single Man together, and she has a veddy funny, veddy accurate review up over at Wish We Were Famous. Read away, please.

Nate

You're tearing me apart Lisa!


Don't worry, I'm not dead...both of you, breathe a sigh of relief.

+++

Bout time I wrapped up last year, so I'm gonna do that bit by bit. First?

My Top Ten(ish) Films of 2009

(it physically hurts to rank these against each other, so lots of ties!...such a great year for [American] film[...for some reason, I haven't seen a single import this year...weird, right?])

Thank god that it's in vogue this year to ignore the rule of ten! Ebert can do it, and so can I; pairing apples w/ oranges for the purposes of this list. I think that each duo is sort of a cinematic yin-yang, masculine/feminine, world-weary/childlike, etc.


...Or something less pretentious.


01. Bad Lieutenant: Port of Call New Orleans / Where the Wild Things Are
02. A Single Man / Inglourious Basterds
03. Coraline / Avatar
04. The Hurt Locker / Precious
05. Drag Me to Hell / The Fantastic Mr. Fox
06. Julie and Julia / Funny People
07. Up / The Road
08. Star Trek / District 9
09. The Hangover / (500) Days of Summer
10. The Informant! / Paranormal Activity

Nate "Never Updates" Tyson

12.13.2009

always amazing

Prior: I have always depended on the kindness of strangers.
Hannah: Well that's a stupid thing to do.

Nate

9.22.2009

We respect directors in our country...


Some catch-up from the last two months!
  • I saw Bat for Lashes at the 9:30 Club last month. Her voice is incredible, and it sounds better live. Good show, BfL. Thank you.
  • I may have gotten around to Inglorious Basterds three weeks late, but I went to see it twice within a week. Both times with my Mom, oddly enough. I'm fairly certain I speak for us both when I say: "HOLY SHIT! What a great movie! Jumpin Jiminey Jillickers!" But we would agree to say that last part like Swedes, pronouncing the J's like Y's, but then when the time comes, she would totally stop short, and I would start saying it by myself, like a total idiot. My Mom hates me. [By the way, everything you've heard about Christoph Waltz is true...the Oscar is in the bag.]
  • My favorite Emmy win this year wasn't presented during the broadcast ceremony. My pick for most deserving Emmy winners are the editors of This American Life. The episode they won for, titled "John Smith", is an all around fantastic hour of television, and its emotional charge is most often provided by its editing. I love that the award actually seems to have been awarded on specific merit, rather than familiarity with the show's title.
  • The Netflix instant queue must be revolutionizing the way mediocre to shitty movies are distributed. However, I also have it to thank for reminding me how awesome Slap Shot is...so it's a mixed bag.
  • How did I have no clue that Neil LaBute wrote and directed Lakeview Terrace? The movie, like Sam J's character, is absolutely batshit insane. I kinda loved it right up until the end. Some might dismiss Jackson's work as his typical histrionics, but I think he was doing something really special. Instead of playing a likeable, shit-talking badass, he's inhabiting the skin of a rageaholic, pibolar racist. His on-screen persona works to his advantage, amping up the tension of every scene. Overall, better movie than I thought, but not a must-see unless you're into bizarre race, culture and class conflict stories.
Well, that's that.

Nate

80's comic books are hilarious

I know I just posted about comics earlier today, but this old issue of Iron Man that I'm reading has some more gems that I simply must share with the world.

I'm not crazy; the author is implying that Merlin's gay, right? I mean, he "fetches" his less flamboyant attire: a suit covered in futuristic rhinestones, complete with matching fez. I don't think it's possible to misread this.

Doctor Doom? More like Doctor Diva! (high hat) Thank you!

I just love the look of impotent rage that forms on his metal face. This issue alone has like 30 classic Doctor Doom moments.

More impotent metal rage. Iron Man is about to be the shit out of this dude for providing such awful customer service.

I love how in the 80's, everyone thought the future would look just like it did in California, circa 1984, but with hover cars and jetpacks. Plus, everyone complained about malls constantly. What's with that?

Nate

A really long post about comics


Recently, I've found myself reading a lot of comics - specifically, Marvel Comics, both old and new. I'm not sure why it is that I love Marvel as much as I do. There are plenty of reasons to give up on them: Their stories are generally less literate and fascinating than DC's, they constantly spoil major upcoming developments in their comics, they keep giving Jeph Loeb titles in the Ultimate Comics line, and so on.

Even with all that, Marvel still has my loyalty because I can't turn away from the X-Men. They will keep me coming back.

It helps that, for the most part, I really like what's going on in the X titles at the moment. Astonishing and Uncanny are both somewhat underwhelming and slow, but the newest volumes of X-Factor, New Mutants, and especially X-Force are more than enough to please me.

It's funny, all three of these titles are in their third iterations, but their worst issues are more fresh and exciting than the three main books (Uncanny, Astonishing, and Legacy) have been since Messiah CompleX last year. [To be fair, New Mutants has only been around for four issues, but that may just further prove my point.]
++++
Out of these titles, the new X-Factor has the most diverse cast and promising concept. The book focuses on Multiple Man/Jamie Madrox, as he runs X-Factor Investigations, a mutant detective agency that employs a whole bunch of kick-ass characters who aren't on any major X-Teams.

The three X-Factor titles over the years have all been very different, but they're practical purpose was basically the same: to give the secondary mutant characters something to do. However, unlike the first two books, this version of X-Factor never feels like a knock-off of the classic X-Men; this can be attributed directly to the cast of characters, and their chemistry together. [To be fair, the first version of the team was literally the classic X-Men line-up, so they couldn't help it.]

From its first issue, this title has had a growing cast of B-List awesomeness, effectively saving some great mutants from the dreaded Comic Book Limbo - a place characters go when they are not being used a background filler in Uncanny. In its run so far, the cast has been a virtual who's-who of mutants that used to be important: 90's X-Factor members Strong Guy & Wolfsbane (who is currently a member of the new X-Force); 90's X-Force members Siryn, Shatterstar, and Rictor (the latter two shared a man-on-man kiss recently...very un-90s); as well as the mullet-sporting 80's castaway Longshot, who I'm certain no other writer would go near with a ten-foot pole.

Peter David (the book's creator and writer) has proven that he can make any character work, and has even gone out of his way to include problematic characters from one-shot stories like the unkillable, ever-adapting Darwin (a strange invention from the continuity-obliterating Deadly Genesis storyline) and the creepy, precocious Layla Miller (who was invented as a thin plot device for House of M, basically). The usefulness of both these characters had seemingly been spent, but David has given them new purpose and life. Thanks to their team chemistry this motley bunch of has-been mutants has really blown away almost every other X-title.

With all this high praise, I still haven't mentioned my favorite inclusion on the team roster: the ridiculously overpowered M/Monet St. Croix. I've loved her ever since her days on the woefully under-appreciated Generation X. Now, if Peter David could rescue her fellow Gen-Xers Husk, Penance, and Skin from CBL, I'd just pee myself with joy. Now that I think about it, GenX supervillian Emplate (who also happens to be M's older brother) was just reintroduced in the pages of Legacy, so maybe we're in the middle of a Generation X revival. I can hope...

While I haven't read the whole series, I highly recommend X-Factor to all mutant lovers. Especially those who lost faith in the X-Books and have not returned. It's a good way to learn to love Marvel's Mightiest Mutants again.
+++
In the history of secondary X-Teams, the new incarnation of X-Force is a very special case. You see, this team actually has a specific mission, and there is a larger purpose for their continued existence; they're not just an edgier version of the X-Men with slightly different surroundings.

The original X-Force debuted in 1991, and was essentially a collection of every awful comic book trend of the early 90s. Big guns? Check. Ludicrously gigantic upper bodies on every dude? Check. Insensitive racial stereotypes that the writer intended to be progressive? Check. Zero practicality to a single character's costume? Check. Big mysterious stranger from the future with random metal body parts ? Check.

The set-up was simple: The time-traveling cyborg soldier Cable takes over the leadership of a young team of mutants, partially composed of former New Mutants. The book was meant to appeal to a younger audience who had not grown up with the X-Men or New Mutants. It was basically a carbon copy of the main team with a different, angrier cast. It was successful for a while, but it had already run out of steam by the time Age of Apocalypse rolled around, and was put to rest soon after. [BTW, AoA, for my money, is still the best comic book crossover of all time.]

I don't see the latest team running out of steam anytime soon.

The new X-Force first appeared during the Messiah CompleX crossover, which would lead into their current series. Unlike the first X-Force, the current team is a deadly squad of X-Men assembled covertly by Cyclops. Their mission? To hunt down and kill anybody that he asks them to.

Totally bad ass premise, am I right?

Like X-Factor, this version of X-Force has a dynamite, and diverse, cast of characters. While Cyclops ultimately calls the shots, Wolverine is the team's field leader. This is an interesting dynamic, because, believe it or not, Wolverine has never actually led a team of mutants before. This new position of responsibility provides room for Logan, one of the X-Verse's most familiar faces, to actually develop and grow - something he hasn't done since the whole "bone claw" era. In addition to Wolverine, the team is currently made-up of Warpath, X23, Wolfsbane, Angel/Archangel, Elixir, Domino, and the petty criminal/teleporter Vanisher (against his will). Notice that, with the exception of Angel, there isn't a single big-name X-Man on the team. Instead of a team full of unrelated famous faces, X-Force acts as a cohesive unit, with each member contributing vitally to almost every mission.

Similar to Peter David's willingness to adopt underused or problematic characters, X-Force's writers, Craig Kyle and Christopher Yost, seem to always be on the lookout for characters to revive or enchance. [But we don't even have to focus solely on their current title to see how good they are with developing unknown character properties; their last X-Book, the underrated New X-Men, introduced more successful and popular new characters than the team has had in about a decade.]
+++
Now, let's talk about some classics!

This year, I finally got around to reading the original Secret Wars crossover from the 80's, which introduced me to one of my favorite non-X-Men Marvel characters of all time: MOLECULE MAN! (pictured above) I love the idea that this little shrimpy guy could destroy the universe if he had any perception of his true power; but instead, he just keeps using his powers clumsily, and accidentally putting the fabric of the universe at risk. Molecule Man is awesome because he's got all this destructive potential, but all he really wants is a simple life with a family. One of Marvel's great reluctant villains. (Incidentally the big double-M seems set to make a major comeback in Marvel's upcoming Siege storyline. I'm psyched.)

Besides introducing me to the overwhelming awesomeness of Molecule Man, Secret Wars taught me another important lesson: The X-Men used to kind of be assholes to everybody else in the Marvel Universe. In fact, their anti-social behavior is one of the major plot points of the entire story. When the big ol' team of heroes needs to band together, the X-Men basically get super cliquey and form a third group, seperate from either the heroes or the villians. I guess mutants were more naturally agressive and seperatist back in the day. These days, the X-Men are a lot more integrated into the regular world...oh wait, no, they just formed their own nation on a floating fort in the middle of San Fran Bay.

[Small gripe about Nation X for a second: I don't even think they're in international waters. Seriously...how is an artificial island less than two miles offshore a seperate country?]

So, continuing my old timey Marvel Comics catchup, I just downloaded the entire Acts of Vengeance crossover [a whopping 68 issues long!] also from the 80s (Marvel has always been about the big Events, it ain't a recent development).

The first issue of the storyline is Iron Man #250, in which Iron Man and Doctor Doom are thrust into the future to do something or other. The reason I mention this, is because I think I have discovered my favorite comic book panel of all time. Witness its glory:
I love the narrator's confirmation of their situation at the bottom there. Truly hilarious.

I'm gonna wrap up before this gets any longer.

Nate

PS: Read X-Force & X-Factor, please!