Today, I present to you, a brief glimpse into the truly disjointed mind of one, Nate Tyson.
whole lotta nonsense. 1st ed.
I just read that Laura Linney is playing Abigail Adams in the John Adams TV movie that I was completely unaware of until five minutes ago. Paul Giammati is evidently playing John Adams. Good casting, but I wish Ian Holm had been given the role at some point before he was ancient. He woulda tore that up. Or Terrance Stamp. (By the way, my favorite portrayal of John Adams is Mr. Feeney's [William Daniels] in the film version of 1776, which was a musical.) Point being, that Laura Linney is a funny duck, because I think that she is one of the last of the old school female movie stars. She only takes somewhat pedigree roles, she is usually offered almost every serious female role that fits her age (I'm sure), she is classy and private, and she almost always plays the famous wife. She is the master of being the famous dude's wife. She is the go-to gal for that.
There is a British website that will give you music festival tickets for sperm donations. I shit you not. It is called Sperm for Tickets, which shows a frankness I respect. I wish I lived in Europe. But only for this purpose. Otherwise? Screw you guys.
White people like me like The Wire a lot. And now it's over. But Lost has started kicking extra butt to make up for it.
Sometime soon, I will have a retrospective on The Wire (I would just do a review of the final episode, but I want to put some larger effort into this). I'm considering of doing a brief piece on the closing montage, but other than that, no Wire until I do a larger piece. I ahve to keep myself to this.
I just can't accept that it's over. Oh...Bubbles...Michael...
...speaking of Michael, Lost's big boat-oriented reveal last night was somewhat anti-climactic just because everyone and their mother had predicted it. But the show still manages to reel you in, doesn't it?
This season has had a noticeable effect on people who watch Lost in my room. Some have never seen the show, some stopped watching half-way through Season 1, some gave up as recently as the end of last season. But all of them are completely (re)hooked after watching the recent stuff in my room. That kinda says something.
That Dodos album is pretty great the more I listen to it. This, Earth, and Times New Viking are a pretty strong trio. There are tons of other good albums so far this year, but those three are special.
I'm also really digging the recent albums from Ocrilim, Natural Snow Buildings, the Teenagers, Boxcutter, and the Fleet Foxes.
Animal Collective had a new EP released this week. It's called Water Curses, and it's pretty great. The tempo is definitely toned down, and the sound is thicker and spacier than most of the material on Strawberry Jam. Both those things are good indicators for the future, if you ask me. This may be my favorite thing I've heard so far this year.
Am I becoming predictable? I love Animal Collective, but I'm not a fanboy. I mean, Sung Tongs is one of my top five records of the decade probably, and Panda Bear was my #1 last year...and I just talked about the Dodos, who sound a little like 'em.
Whatever. Great band.
I had a piece in The Climax this week. It featured excerpts from this post.
The only editing that upset me was the disappearance of the quotation marks around the phrase "get relaxed" (which had replaced "get high" in my draft for the paper) in the Earth review. They didn't remove the quotes from "the law" earlier in the article, so it was obviously a moral decision to not include a gentle, non-explicit weed joke in the student newspaper.
Sigh. It wouldn't matter, except that a somewhat tongue-in-cheek joke now reads like a banal observation.
I love you all. Thelma Ritter is amazing in Pickup on South Street, and Paul Reuben's performance in Pee Wee's Big Adventure is an overlooked comedic masterpiece.